Lost Art
Pinstriping has become a lost art! The results can look very classy, but less and less ppl are learning it. When I first started working in a bodyshop, one of the older "grumpy" guys tried to teach me. I was ok I would say, but that man amazed me every time he pulled out his brushes. A steady hand, and only really good brushes. If you use cheap brushes you will end up with a string of horse hair in your paint! Air brush is a great technique to learn. I took a weekday night class at the local jr. college, and I recommend it to everyone that likes to paint. It cost $200 for the class, but I learned a whole lot, and had a blast there. I know you're a bit old school there Tripleblack, how do you feel about the art of pinstriping become a "lost art"?
I'm a professional commercial artist, but also an illustrator, with classical art training. I think I'd be good at pin striping, but I've not practiced enough to be able to make any brags about it. the few times I've done it were OK, but a pro would be able to do better, and in a fraction of the time it took me. Pin striping is STILL pretty popular, and the recent surge in popularity for resto-mods and classic hot rods is breathing new life into the profession. Some young guys with skills are setting up shop, and I cannot wish them anything but the BEST of success!
Some people don't know it, but there is an evolutionary cycle to the universe.
In 1900 one of the largest and most powerful unions in the United States was the Engravers Guild. They were huge, with tens of tousands of well-paid members (they called themselves "artisans", and approporiately so - it took a great deal of skill to render the engraved images they created). It was their work that created every illustration in every book, magazine, flyer and newspaper printed.
Within 10 years, they ceased to exist.
Photogravure (a process using photographic methods to produce printing plates) sealed their fates.
Now only a handful of engravers ply their ancient trade (a very few work for the US Mint and the US Post Office), while there are a very small number of fine artists who make fine art engravings.
The artform flourished, was displaced by technology, and found a bare existance as a slowly dying technique with a handful of aging collectors keeping the tiny spark alive. (If I had my druthers, this is what I would be doing full time - I love engravings. But I also love to eat, and starving in a belfry somewhere lacks appeal).
This might surprise folks, but I consider the next "dying artform" will be the AIR BRUSH, not the pin stripe.
I have some very expensive air brushes sitting on the shelf gathering dust - I do all that work now in the computer. Yes, I too have become a pixel-pusher, a 'shopper.
Look at how many vehicles that would once have featured airbrushed graphics now have high quality printed vinyl instead, with the graphics designed in a computer. This innovation alone has already taken away about 90% of the marketplace - sure, the more commercial end, but also the end that used to pay the bills for hundreds of air brush artists.
If you also consider how many projects are composed in a computer, and feature masks and templates cut on a computerized cutter, that remaining 10% is already being invaded by the new tech.
Now machines based upon cad-cam technology and CC milling machines are being merged with ink-jet components, creating a virtual painter that can render "air brushed" projects without any human being every touching an air brush.
Dying art indeed. One artform often displaces another, then flourishes for a while and is displaced in turn, a darwinian cycle.